TALL blog

Among our other record breaking recruitment this term we have also launched the Ancestral Voices course developed as part of the Mosaic project for the 3rd time, with the largest cohort yet – in fact our maximum of 32 students.

I am sure this is not statistically significant, but for us it is our first example of freely available content, and students who are still prepared to pay for the full tutored learning experience.   Definitely a good sign for persuading the Department to do more with OERs.

TALL is part of a team, led by Oxford University Computing Services, that has recently been awarded funding from the JISC/HE Academy Open Educational Resources Programme for the Open Spires project.
The project has two purposes: to increase the amount of learning content (especially audio and video) released from Oxford and to enable the University to investigate the implications of making some of this material available as ‘Open Content’ under a Creative Commons or other suitable license. This means that quality educational content will be available for reuse and redistribution by third parties globally, provided that it is used in a non-commercial way and is attributed to its creator.
This funding will enable the University to build upon the Oxford iTunes U service launched in October 2008, which has widespread participation from Oxford academics. Oxford podcasts currently include recordings of guest lectures, interviews with researchers and conference presentations. The project will have a global impact, as the free-to-download resources are in many cases from speakers, researchers and visiting lecturers with high international profiles.
The project hopes to benefit the University by:

• Enhancing Oxford’s global reputation – enabling the production of more material that has international impact and places the University in a leading position within the UK Open Content movement.
• Ensuring expert legal scrutiny – the complex licensing and IPR issues associated with Open Content will be investigated by the University’s Legal Service office.
• Enhancing current provision and accessibility – text transcripts will be produced to accompany existing podcasts.
• Enabling the University to produce more audio and video content that brings the modern day University to life for its many alumni.
• Improving admissions by enabling the production of more podcasts that will reach and inspire the key 16-18 age group.

The project started on 30 April 2009 and will last for one year.

One of the clearest lessons from Mosaic is how much content which may be used for learning exists on the open web through university domains, either in the websites of specific projects, individual academic initiative or other models.  However what is noticeable is that the vast majority of this material has no obvious licence or copyright statement attached to it.  It is a reasonable assumption that when academics put content on the open web, they think that they have shared it and made it open, and in reality for most use they have.  However attaching a licence such as Creative commons  allows for easier uptake. While in some cases this may be a deliberate omission, in most it is probably because they are unaware of these licences and what they mean, or they are aware of them, but don’t feel that they understand them well enough to implement them, or that they suspect using them may contravene IPR held by their university, and don’t know how to find out, so dodge the issue by not engaging with it.

It seems many of the barriers to reuse would be reduced if universities developed clear policies on licensing their exsiting web based outputs and applied it as broadly as possible across all their activities. This is happening already in certain domains – OERs and research outputs from an ever growing list of funders, but especially where universities are publicly funded, surely open licensing should be the default not the exception.

These days it’s very easy to acquire digital copies of stories, pictures, music, video, fonts, code – any sort of media you care to mention. Sometimes this is legal, notably through open source/free software, creative commons licenses, and Bittorrent. Sometimes it’s illegal – through Bittorrent*, copying files from websites, lending CDs/DVDs, etc.

Obviously, this is in clear conflict with established media industries, often represented by acronyms groups like the BSA, RIAA, and MPAA, who want to maintain their historical place in the distribution channels. Many others around the web have commented on how these businesses need to realize that they don’t have a right to a profit in their particular part of the market, and I concur, but won’t rehash that here.

Instead, the whole reason for this post is to point to what I hope is the way forwards: License transparency at the client level – nicely demonstrated with the display of licensing information in recent work on the Banshee media player.

I don’t think this feature has filtered out to a release yet, but a suitably enabled Banshee will display the license information for songs, along with the track name, duration, etc.

This may not seem like the sort of thing that would be useful to 99% of the population, but it is relevant to 100% of the population, as many people may not realize that, in many cases, ripping the CD they borrowed from cousin Kev is illegal. For the cases where it’s the artist’s intent that copies should be made, I think it should be advertised and encouraged.

As a both a musician^† and an open-source enthusiast, licensing rights can be an important tool to help me ensure the quality and longevity of my work in both those areas. I haven’t a solid plan for this, but suspect that outright, no-strings, free-for-all copying won’t help me develop my rock-star career. (Any advice on developing the rock-star career is welcome 🙂

I believe that most people don’t currently consider the licensing of the media they use, and just copy it if they feel like it. Rather than taking the futile DRM approach, I think it’d be better to share media quite liberally, and for software to inform people what’s going on, enabling appreciative users to support it – with financial (particularly for music), and direct (more relevant with software) contributions.

If we’re in a market-driven economy, let’s try and work towards perfectly informing the consumers…

Merry Christmas!
Dave B.

* Note the dual use (legal/illegal) potential of some technologies.
† Ok, I’m a drummer – it’s close enough 😉